The Behringer PMP1680S 10-Channel Powered Mixer delivers up to 1600 watts of power and features that are well suited for public address applications in schools, houses-of-worship, presentations, halls, outdoor events and more. Behringer's efficient class-D amplifier technology delivers clean sound and power, and 8 channels feature balanced microphone inputs, 6 line inputs and 2 stereo input channels.
Features:
The amazing PMP1680S Powered Mixer packs tremendous power (2 x 800 Watts stereo or 1,600 Watts in Bridged mode), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the- art switch-mode power supply, which significantly reduces weight and heat. The 10-channel PMP1680S features 8 high-quality mic preamps, 2 stereo channels, dual 24-bit Multi-FX processors with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects, plus a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance.
Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency – and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.
The powerful PMP1680S gives you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono, or 1,600-Watt bridged mono output. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP1680S can accommodate with ease. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.