تم تطوير ميكروفون KMS 105 من Neumann خصيصًا لنقل الصوت البشري بشكل مثالي وواضح في ظل الظروف الصعبة الموجودة على المسرح المباشر. تضمن الدقة الصوتية العالية واستجابة التردد السلس للميكروفون أن الموسيقي يتحكم في أدائه في جميع الأوقات.
الميزات:
The KMS 105 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.
Neumann is world renowned for their legacy of fantastic studio microphones, but with the elegant KMS-105 they make their uncompromising standards available in an affordable, high-quality handheld mic. The exquisite design includes an elastic shock mounted supercardioid capsule with three metal basket layers providing a robust method of getting rid of those frustrating plosives. Not only is it a luxurious-looking mic; it’s also very lightweight, making it a pleasure to use in live performance. When compared to other handheld vocal mics, the KMS 105 offers superior resolution with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. If you're ready to step up the Neumann of handhelds, Sweetwater has your mic: the KMS-105.
The K 105 capsule used in the Neumann KMS-105 was developed from the K 50, found in the KMS 150, KM 150 and KM 185 microphones. The K 105 features a supercardioid pattern, achieved by specially modifying the response of the K 50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very "open" and detailed capture of the human voice. Due to the tight supercardioid polar pattern and the coloration-free off axis response, a very high level of gain before feedback is achieved. This polar pattern offers the highest degree of isolation while still allowing for a generous "sweet spot" in front of the microphone.