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Dangerous Music MONITOR ST Monitor Controller with Remote Control

Samma3a Rating:
SAR11,201.49
+ SAR 1934.07 Vat, custom, shipping fees all inclusive
Out of stock

MONITOR ST Remote-Controlled Source and Speaker Switcher. The Dangerous MONITOR ST is the gold standard for studio reference. Input source selection, speaker switching, cue system, talkback functions, and headphone amplification are all neatly tucked into one rack space and controlled via the comprehensive, customizable remote. As with every Dangerous Music product, painstaking measures are taken to create complete functionality with ZERO audio compromise.

Features:

  • Audiophile-grade components yield crystal-clear sound
  • Pristine 20W headphone amp will inspire an artist's best performance
  • Programmable remote tethered by a simple, elegant Cat 5e cable
  • Analog stepped-attenuator volume control
  • 4 input sources, 3 speaker outputs, and programmable I/O
  • Stereo subwoofer output with a programmable level offset and filter
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Technical Specification

  • Input Channels: 8
  • Output Channels: 8
  • Analog Inputs: 2 x XLR, 1 x DB-25
  • Analog Outputs: 1 x XLR (cue amp out), 1 x XLR (slate out), 1 x DB-25
  • Headphones: 1 x 1/4"
  • Other I/O: 1 x Ethernet (remote)
  • Talkback: 1 x 1/4" (remote mic), 1 x XLR (TB remote)
  • Form Factor: Rackmount
  • Height: 1.75"
  • Width: 19"
  • Depth: 9.5"
  • Weight: 16 lbs
  • Warranty: 1 year

What Is In The Box

  • Dangerous Music MONITOR ST Monitor Controller
  • Remote Control

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Manufacture Description

FIRST THINGS FIRST – YOU MUST HEAR EVERYTHING

FIRST THINGS FIRST – YOU MUST HEAR EVERYTHING

True craftsmanship is in the details. If you can’t hear the nuances of what you’re working on, then you simply can’t make informed decisions. Everything from placing a mic, to turning a knob on an EQ, to coaching a singer though a delicate passage depends on being able to hear exactly what’s going on. With the advent of “prosumer” gear, the monitoring path is typically sacrificed to meet a price-point, and even some of the world’s most revered and expensive large-format consoles have less-than-accurate center sections that obscure the sound. To solve these problems, we’ve made zero compromises in the MONITOR-ST, employing audiophile-grade components in an unconditionally transparent design. Whether you’re working in a project studio or managing the complex monitor routing in a multi-room studio, the MONITOR-ST will provide the most accurate and reliable monitoring available anywhere.

ALL ANALOG VOLUME KNOB & SWITCHING

ALL ANALOG VOLUME KNOB & SWITCHING

If the studio were a car, the volume knob is the steering wheel, your connection to the whole mechanism through which all important feedback is routed. Not all volume controls are created equal – some affect frequency response at different levels, some introduce noise, some rely on tone-snatching digital level controls. the MONITOR-ST’s volume control is a relay-actuated stepped analog attenuator made from top-shelf audiophile-grade components, expertly implemented into Chris Muth’s no-compromise analog signal path. From the remote’s elegantly-shaped knob, you’ll get crystal clear sonics with dead-accurate volume level recalls and better than 0.01dB gain tracking between channels. Whether you’re blasting playback through the mains or squinting at your small monitors at whisper volumes, the MONITOR-ST will never color your sound or skew your stereo image. And because all the switching within the MONITOR-ST is handled by relays, your audio signals are delivered to your speakers unadulterated, removing all the guesswork while tracking, mixing or mastering.

EFFORTLESS AND ELABORATE SIGNAL ROUTING

EFFORTLESS AND ELABORATE SIGNAL ROUTING

As the centerpiece of your studio, the MONITOR-ST handles complex routing elegantly. There are four analog inputs, three speaker outputs, plus a stereo subwoofer output with programmable level offset and filter that can be assigned to any of the three speaker pairs (or used for a 4th pair of studio monitors). All of these ins and outs can be custom calibrated with onboard, programmable level offsets that you can recall instantly for different devices and configurations. Need to monitor a -10dBV commercial source like a CD player with levels perfectly matched? No problem. The on-board talkback mic, slate output and the robust 20w/channel headphone amplifier – which can receive the Main Mix or the Aux In for custom artist mixes – round out all the routing needs for any studio. And the Aux Input can be layered with any of the four main inputs, offering up even more routing solutions.

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