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Kali Audio LP-6 V2 6.5" Project Lone Pine Powered Studio Monitor - White
Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
Features:
- Upgraded Class D amps for ultra-low noise floor.
- Proprietary Boundary EQs to tailor the frequency response of the monitor to your space.
- 6.5-Inch Woofer for powerful, accurate bass response.
- 3-D Imaging Waveguide for lifelike detail.
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Technical Specification
- Powered: Yes
- Amp Class: D
- Power Config: Bi-Amped
- HF Power: 40 W
- LF Power: 40 W
- Total Power: 80 W
- HF Driver: 1-Inch Textile Dome
- LF Driver: 6.5-Inch Optimized Paper
- Crossover: 1500 Hz
- Frequency Response (-10 dB): 39 Hz - 25 kHz
- Frequency Range (±3 dB): 47 Hz - 21 kHz
- Recommended Listening Distance: 0.5 - 2.5 Meters
- Max SPL: 115 dB
- System THD: <3% from 80 Hz to 1.7 kHz <2% above 1.7 kHz (90dB SPL @1m)
- Unbalanced Inputs: 1 x RCA
- Balanced Inputs: 1 x XLR, 1 x TRS
- TRS/XLR Input Sensitivity: 94dB SPL @1m (anechoic) for +4dBu input
- RCA Input Sensitivity: 94dB SPL @1m (anechoic) for -10dBV input
- Enclosure: Front Ported
- Height: 14.125 Inches (35.9 cm)
- Width: 8.75 Inches (22.2 cm)
- Depth: 10.25 Inches (26 cm)
- Product Weight: 15.54 lbs (7.05 kg)
- Warranty: 1 year
What Is In The Box
- Kali Audio LP-6 V2 6.5" Project Lone Pine Powered Studio Monitor - White
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Manufacture Description
Immersive
Kali’s LP-Series speakers represent one of the most budget-friendly ways to get into immersive mixing formats like Dolby Atmos. With complete systems starting at around $3000, you can build an immersive mixing rig without breaking the bank. Importantly, Kali’s users enjoy excellent translation across a variety of systems, so when you’re mixing a high profile project, you know your client will be happy and the mix will sound its best.
Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.
Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. For the 2nd Wave, the boundary EQs have been updated for using the speakers on a desk with monitor stands.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in, or where the speakers are placed.
3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.
In practical terms, what this means is that you’re hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you’re working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.